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New Painting: “Rigging”

Sunday, September 18th, 2011

A new painting today.


“Rigging,” by Rudy Rucker, 20 x 16 inches, September, 2011, Oil on canvas.” Click for a larger version of the picture.

The reflections of sailboat rigging fascinate me. I took some photos for this painting during the same session where I started Santa Cruz Harbor. Back home I copied one of the photos for this oil painting. I put on quite a few layers, and used a gel medium to emphasize the brush strokes on the masts and lines.

As usual, you can get prints or originals of my paintings at my paintings site.

I made a new edition of Better Worlds on Lulu, with all eighty-six of my paintings thus far.

The eBook business is an ever-changing maze. I set up a page with information about links for getting eBook editions of my works. You’ll notice a link to this page in the upper right corner of my blog. Feel free to suggest corrections via the comments on that page.

Trip to Wyoming

Tuesday, September 13th, 2011

We spent four nights with daughter Isabel at the Darwin Ranch, a 160 acre resort along the Gros Ventre River in the midst of the Bridger National Forest, between Pinedale and Jackson, Wyoming, not far from the Grand Tetons. “Grand Tetons” means “large breasts,” and “Gros Ventre” means “plump belly.” One thinks of lonely French explorers. We dropped off dog Rivers and hit the road.

The Darwin Ranch has some fairly simple log cabins and a lodge house where the twenty guests met for cocktail hour, meals, and after-dinner hanging out.

It’s located in a valley gouged out by the narrow and snaky Gros Ventre River—more of a creek than a river. Two sides of the valley are lined with sheer red bluffs. The upstream end of the valley slopes up into a forest with a waterfall.

A fabulous place—160 acres going up for auction at Hall and Hall realtors with a starting price of $4 million on September 13. In a way, it’s a modest sum, the price of a McMansion in California!

The ranch has about twenty horses for the guests to ride—it’s a dude ranch, but in a fairly mellow way. The place has a bit of a hippie feel, even though all of the guests (other than our daughter and her husband) looked to be in their fifties, sixties or even seventies. That’s the horse Alice that I rode one day up there.

As it happens the man who owns the Darwin Ranch is Loring Woodman, a cousin of my friend Howard Swann, a colorful and voluble mathematician with whom I worked at San Jose State. Howard and his wife Anita were at the ranch with us—it was good to have some comfortable old friends to chat with. Howard has an extravagant, playful style of speech. He goes for odd phrasings, recondite words, and unusual rhythms, sounding a bit like the W. C. Fields. That’s a picture of Howard and me. One of Howard’s proudest achievements is his cartoon-illustrated McSquared’s Calculus Primer.

Isabel actually worked as the winter caretakers at the Darwin Ranch some years ago, and they’ve stopped by for visits a number of times over the years. It was a treat for them to be actual guests. On the first day we four hiked along the top of Sportsman’s Ridge, a slanting red bluffs that bounds the north side of the valley.

We had an amazing view of the Gros Ventre River’s meanders across the valley, making a shape in every way like that of a rivulet of water you might see flowing down your car windshield. The second day I went on a four hour horse-riding expedition with Isabel, and our old friend Howard Swann. I’d never ridden a horse before, but the others coached me. My horse Alice was quite docile, and although not particularly interested in me as an individual. She carries riders several times a week.

Heading up the two-thousand-foot rise to the top of Bacon Ridge, I noticed a large raven in a tree. I remembered a particular fairy-tale scene I loved when I was growing up. A boy is the helper of a wizard. They’re travelling across the countryside, and the wizard manages to shoot a particular raven with his bow. The wizard tells the boy to build a fire and roast the raven’s heart for him, giving the boy particular instructions that he mustn’t taste the tiniest fragment of the heart until the wizard has had the first bite. The wizard lies down for a nap and the boy gets to work. The raven’s heart sizzles over the flame, and piece of hot fat lands on they boy’s finger, burning it.. The boy puts the finger to his mouth, licking it to soothe the pain. And in that instant he receives the magic power that lay in the raven’s heart: he can understand the speech of birds and animals.

Somehow this episode has always held a special meaning for me. When my son Rudy was young, I’d discuss this story with him, and when we’d bring a roast holiday turkey to the table, we’d compete to tear off and devour a scrap of the golden skin and say to the other, “Now I understand the speech of birds and animals.” Seeing the raven the Wyoming woods, I began thinking that I might use the old fairy-tale trope in a short story or in the start of a novel this fall.

We rode up through pines and aspens, up through the late-summer-yellow fields, up to the bare windy peak of Bacon’s Ridge. It felt like a once-in-a-lifetime adventure to me. Over and over my horse Alice would grab bites of the trail-side vegetation—she was particularly fond of a certain enormous thistle plant that fills a human’s hand with prickers if touched. It wasn’t all that hard to stay on the horse, although I was definitely clutching the saddle-horn at times, and bracing my feet against the stirrups—particularly on the way back downhill. The whole process of riding a saddle on a large animal felt very ancient, very highly evolved.

The third day on the ranch, Sylvia, Isabel and I hiked through the forest along the base of the Sportsman’s Ridge bluffs. Eventually we three reached Ouzel Falls, which is a very steeply slanting rapids rather than a proper waterfall—it’s a bit like a hundred-yard water slide, seething with white foam. Some small diving birds called water ouzels frequent the pool at the falls’ base, thus the name.

Before we’d set out on our hike, Loring had urged us to make a loop of the hike by clambering to the top of Sportsman’s Ridge near Ouzel Falls and taking the high road home. Sylvia didn’t want to add on the extra climbing, so Isabel walked back to the Ranch with her while I pressed on alone.

I was quite tired by now, in part due to the thin air at the eight or nine thousand foot altitude. I was hot, and my water supply was fairly low—even though Isabel had kindly given me the rest of her own water. Starting up the steep path alone, I was a little anxious that my heart or my brain might suddenly malfunction, leaving me to die alone in the wilderness. But I was determined to press on.
In the old days, I’d very often taken long and risky hikes alone. But I hadn’t done a hike like that for something like five years—I think the last one was in August, 2006, in Glacier National Park.
I lost the trail twice in gullies, found it again both times, and after an hour I was up on the top of the bluff. The High Path. I felt wonderful. On top of the world. Just like old times.

It was a good feeling to have pushed past the fear and done something physically audacious once again. I felt more wholly well than I’d felt in quite some time. A wonderful day.

After Wyoming, I went on to Wisconsin to visit my other daughter Georgia.

In the mornings, I often read my grandson his favorite (that week) book, Hogwash, no words, just lots of pix of little pigs wallowing and romping in mud and paint—and then being herded and washed by slightly sinister pig-mothers. My grandson is a cuddly bundle. He reminds me very much of the childhood photos of myself. I’m exceedingly fond of him and my Wisconsin granddaughter.

My Emperor Norton Award (Tachyon Party at Borderlands)

Sunday, September 11th, 2011

I was at Borderlands Books in SF for the annual Tachyon Publications party on Sunday from 2-4.

Among the assembled SFictional luminaries were my fellow-writer (and Kentuckian) Terry Bisson, Charlie Jane Anders , a writer and impresario known for editing the SF site io9 & running the Writers With Drinks salon, and Jeremy Lassen—my editor and publisher at Night Shade Books—dressed in a full-on zoot suit from Mission Street.

One of the events at the party is the awarding of two Emperor Norton Awards. As Locus magazine explains:

The Emperor Norton Awards are a San Francisco Bay area specific award given each year for “extraordinary invention and creativity unhindered by the constraints of paltry reason”. The award is named after and commemorates the memory of Joshua Norton I, Emperor of the United States of America and Protector of Mexico, and are presented annually by Tachyon Publications and Borderlands Bookstore in San Francisco.

I was a proud recipient of one of the Norton Awards! It’s nice to get an award now and then, very heart-warming. Along with me, the photo shows Jacob Weisman of Tachyon Books, Jude Feldman of Borderlands Books, and SF eminence grise Richard Lupoff.

The other Emperor Norton award went to Steve Boyett.

Here’s a close-up of my finely printed certificate. Emperor Norton was known for printing his own money—which became an accepted local currency in 1870s San Francisco! Kind of like being a writer, really. We deal with funny paper.

It was a great day and a fun party. Many thanks to Tachyon and Borderlands.

A main reason for my award is that many of books are set in the SF Bay Area, most recently Jim and the Flims, my fantastic novel of Santa Cruz and the afterworld, published by Night Shade this June. See my JIM AND THE FLIMS page for more info.

Unrelated photo: Rooting through some old scrapbook-style journals, I came across this picture of me with my SF mentor Robert Sheckley in Venice Beach, CA, around 1987. Bob would be proud of me today.

By the way, if you stop by Borderlands, they have a number of large, very high quality, signed color prints of my paintings that I made on heavy archival paper. We’re looking to sell a few of these off, so the price is all the way down at $18 a print. Stop by and get one if you’re walking by. Another kind of “Emperor Norton money.”

Flurb #12

Tuesday, September 6th, 2011

Issue #12 of Flurb is out, with astonishing tales by fifteen writers: Byrne, Callaway, Di Filippo, Ellwood, Gunn, Hayes, Hogan, Moore, Rucker, Salinas, Shirley, Skaftun, Sterling, Tambour, Webb!

This makes five years of Flurb since the first issue, by the way, with 153 stories published thus far.

Go to flurb.rudyrucker.com and be among the first of the sixty-five thousand people who’ll be checking out our new issue over the coming six months!

Seek the gnarl, dear readers, seek the gnarl.

And when you take a break, come back here and post something encouraging in the comments. Our authors need your support.


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