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Trip #1: Nyon, Geneva.

Saturday, November 15th, 2014

Sylvia and I went to Geneva, Switzerland, for a family event. We stayed near Geneva in Nyon for five days, and then went on to Paris for a week. So now I’m photoblogging some of the things I saw.

This is a garage near Levis stadium in San Jose, completely irrelevant, although the dark image does set the tone for William Gibson’s The Peripheral, which I was reading on my ebook for much of the trip. Well, actually I didn’t get it till we’d been there a few days, waiting for the download.

We stayed in a once deluxe hotel now on the skids and run by unpleasant people, but handy for our purposes, the Beau Rivage in Nyon, looking out at Lake Geneva. It’s kind of a wonderful lake, so clean, with the Rhone running through its length, and huge mountains along the edge in spots.

Vineyards all along the lake. The Swiss white wine is good stuff, kind of dry and sour. Not that I drink it anymore, but it’s worth sampling. Not sure if they export much of it.

Like so many European town, Nyon has a little castle from yore. When you get up in a high place in Europe, like in a plane or on a mountain, you can see that there’s a village every two kilometers or so. Really settled in. When you fly over the US, most of it is stone cold empty. Even California. We have a few megalopolises, some towns, and that’s about it.

I’ve always liked coin operated “rides” for kids. The spotted fly agaric mushroom is a big standard icon in Europe. According to the ethnomycologist Gordon Wasson, the Siberian shamans and the Greek Eleusis cult got high off these. And saw overly animated caterpillars in red top hats. Cf. my story with Bruce Sterling, “Storming the Cosmos.”

It was nice, walking around Nyon one morning, everything a little misty, and these European constructs, like a crane of a string of lights, everything a little different from how we’d do it. Like, not quite as SAFE. Sadly, the assumption in the US has to be that, whatever you set up outdoors, there will be people who are blindly bent on destroying it. More communality in Europe, I’d say.

I love when birds fly low across the water. In Santa Cruz, when the pelicans do that, I always think of Hells Angels.

This is a nice, mysterious, paradoxical image. A marble and alabaster statue on the left, and on the right is a doubly reflected image of the statue.

This was in the Beau Rivage Nyon. Good breakfasts and terrif views. But they actually wanted to bill us separately for each cup of coffee we made in our room. And they flatly wanted to refused to drive us half a mile in their van to get to the train station. “The van is only for business guests. People from the Gulf.” “I’m a business. Transreal Books.”

Sylvia and I went into Geneva a few times. Over the years, we’ve been here more than forty times. Sylvia’s parents lived in Geneva during the latter half of their lives. We’ve always liked Geneva’s big old museum of art and history. Dig this armor, it looks so SF. And the light glaring on the glass could be death ray beams from the dude’s eyes.

All marble in there, so frikkin’ deluxe.

Love marble nudes. It doesn’t show here, but in back there’s a marble dog sniffing the guy’s butt.

There was a wonderful artist in Geneva, Ferdinand Hodler, and his works are one of the reasons we like to come to this particular museum. I think you’re not supposed to take photos in here, but usually I sneak one or two. Love the door here with the Hodler in the background.

Gotta get a shot of the famous Jet d’Eau fountain in Genva. During the World Soccer Cup one time they filled a giant soccer-ball balloon with helium and tethered it so that it was hovering right at the top of the water, so it looked as if, cartoon like, the huge ball was indeed floating on the fountain’s spurt.

We went to Lausanne one afternoon with Sylvia’s brother Henry. Fab statue of the Sphinx lady were with her afternoon shadow.

And within the Lausanne cathedral, the Reaper lurks.

Reading with Robert Shults at Borderlands

Friday, November 7th, 2014

On Saturday at 3 pm, I read my recent story “Laser Shades” at Borderlands Books in San Francisco. I appeared with Robert Shults, who recently launched his fascinating photo book, The Superlative Light. See the account of his project in the New York Times.

I taped today’s event. The audience included Jude Feldman of Borderlands, plus my wife Sylvia, my son Rudy, and our granddaughters Jasper and Zimry. To make today’s podcast fun, I taped Jude talking about the history of Borderlands, followed by Robert’s rap about his book of photos of the Texas Petawatt Laster Lab, followed by my story, “Laser Shades,” and then a little more talk about the technology of lasers. With Jasper and Zimry pushing in whenever they could. Kind of a cinema verite podcast, you might say. (57MB, 47 min).

You can play it right here.

Here’s Robert and me at the Rosicrucian World Headquarters in fabulous San Jose, California.

My story was written to fit into Shults’s book. The book contains lovely and sinister photos of the Petawatt Laser Lab in Austin, Texas. And my story is about a guy who uses a superpowerful laser to try and raise his dead wife from the dead.


“Laser Shades,” oil on canvas, February, 2014, 24” x 20”. Click for a larger version of the painting.

While I was working on the story, I wasn’t quite sure about how to end it, and then I made my new painting as a way of previsualizing a big scene. The guy in the painting is wearing special laser-proof shades and he’s (rather unwisely) holding a fetal “egg” in the path of a yottawatt laser beam. A yottawatt is about the power of the Sun. That zapped egg is going to hatch out some kind of weird person, so look out!

I have an older recording of me reading “Laser Shades” online also. Recorded in my home studio.

You can play it right here.

Or go to Rudy Rucker Podcasts.


But don’t just listen at home, come on out and meet me and Robert Shults. Borderlands Books Cafe on 870 Valencia Street in the Mission district of San Francisco, 3 pm Saturday, November 8.

The saucer is waiting for you.

Lit Crawl: Dark Lords of Cyberpunk—Recap & Podcasts

Friday, October 17th, 2014

I organized a reading as part of Lit Crawl in San Francisco on Saturday, October 18, 2014, from 8:30 to 9:30 at Haus Coffee, on 24th Street near Folsom. Many thanks to Erica of Haus Coffee who helped us settle in.

Our session was called FLURB: Dark Lords of Cyberpunk, and was also listed as session #97: FLURB: Astonishing Misfits. Here’s the official Lit Crawl schedule and map.

The readers were me, Richard Kadrey, and John Shirley. We’re all cyberpunks, and we all published stories in the Flurb webzine that I edited and published through 14 issues a few years back. Samples of our work in Flurb are my “Tangier Routines,”, Kadrey’s “Trembling Blue Stars,” and Shirley’s “Bitters.”


[Photo by Wongoon Cha, whose story “Procrastination” was in Flurb as well.]

I read a San Francisco B-movie-type story called “The Attack of the Giant Ants.”

Richard read “Surfing the Khumbu,” about a cyberpunk woman who brings down satellites with her mind…and gets high off this. You can find this story online in Infinite Matrix.

John read the Flurb story “Bitters” mentioned above—it’s about a guy who eats brains to get high.

Here is a podcast of my reading, about fifteen minutes long. And here’s the Rudy Rucker Podcasts station:

“The Attack of the Giant Ants” is scheduled to appear in print on the webzine Motherboard this month. It was inspired the Blondie song of the same name, and by the vintage movie, Them. Thanks, by the way, to editor Claire Evans for help in bringing the story to a level of full gloss.

Richard Kadrey read a second story as well, a horror tale about a serial killer who’s propitiating an Egyptian god.

John Shirley’s bravura reading / performance was ill, sick, and wondrous.

Many thanks to the enthusiastic listeners who turned out and tuned in. After the readings, they could only formulate one question: “What were you guys like as kids?”

And a closing thanks to the cute and very California-girl Laurie from Lit Crawl who helped coordinate the event.

At Loose Ends

Sunday, October 5th, 2014

I’m kind of at loose ends these days. I have some ideas for a novel with the working title Wacker World or perhaps Million Mile Road Trip, and I’ve been moving those around in my head. And I’ve written a lot of notes. But somehow I’m not quite ready to start the actual book. It’s like staring into the sun, and I keep flinching away.

I’ve been working in parallel on my giant 400,000 word Journals 1990-2015, hoping to get that finished and published early next summer.

I watched a graffiti artist at a big art festival in San Jose a few weeks back, it was called “Anne and Marc’s Art Party.” It was nice to see how this young man worked.

It’s nice when you get into a work of art, or a work of literature, and you forget your self. The muse gets into your head. In a lesser way, when you’re holding a camera, sometimes you see what you think are pictures amid the clutter around you.

I was part of a reading at Kepler’s Books in Menlo Park about a month ago, we were promoting an anthology called Hieroglyph. The best-selling author Neal Stephenson was part of the project, and there was a huge crowd at Kepler’s. This photo is of two of my fellow lesser-known authors, Annalee Newitz and Charlie Jane Anders. They have pieces in that antho and were on the panel as well.

Kepler didn’t have a single book of mine for sale, which kind of made me wonder why I keep bothering to write them.

Somehow I picked up a cold virus around the time of that reading, and it stayed with me for a month. By the end, I had what you might call postviral depression—it’s when, like, you’re feverish and coughing and in a bubble week after week, and you feel like you’ll never be well. The photo above is one I took just the other day, when I started feeling reasonably cheerful again, it’s of my writer friend Michael Blumlein in San Francisco.

Not that Blumlein looks especially cheerful here himself. What is he thinking? Hard to tell. Being a writer is hard.

On the art front, the other day my daughter Georgia sent me a jpg of this “cornball fall painting” by former Los Gatos artist titan Thomas Kinkade, and she suggested that I liven it up. So I Photoshopped an alien “gub” from my novel The Big Aha, plus the rather dangerous hyperdimensional creature Babs, from my novel The Sex Sphere. Always fun to be busy doing nothing.

Another fun thing this month was going down to Pfeiffer Beach in Big Sur with Sylvia. There’s this wonderful big rock there with what I call the Magic Door, a square hole where the surf surges through. The Magic Door plays a big role in my old novel Mathematicians in Love (which is now out of print—but I’ll be reissuing it via Transreal Books this fall.)

There’s as second, less clearly-cut magic door in that rock, over near the left end, and some guys were standing inside it, like on the threshold. I like the weird plants that grow in there as well. Truly science-fictional.

And what else? Sylvia and I went to see the latest ballet by Mark Morris and his company, at Zellerbach Hall in Berzerkistan. I like the side wall of the theater, it’s like abstract art. Telegraph Avenue seems ever shabbier. When you lose a big bookstore like Cody’s you lose a lot. But I suppose Berkeley students aren’t buying books like they used to.

Just this week I was up at Castle Rock Park. I like to walk through the park to a ridge that overlooks a big basin of trees, with the Pacific visible in the distance. Interestingly pocked rocks called tafoni in the park. Some of them with loud people climbing on them—they weren’t there twenty years ago. Nature still doing her thing anyhow anywhen anywhere. This photo of some red bark on a manzanita tree.

A stone whale or turtle surfaces, astounded. A-stone-aged.

And I’m happy by a sun-outlined bundle of laurel branches.

So, like I said, I had some good ideas for Wacker World, but today I was working on Journals 1990-2015. Fun / nostalgic / wrenching going down those mazes of memory lanes. I see publishing it one large volume—as well as, of course, the tractable ebook format.

One last image, it’s a detail of Alma Baptizes in the Waters of Mormon, by Arnold Friberg. For whatever reason, my friend and fellow-writer Thom Metzger became obsessed with this painting while writing his highly entertaining journal/memoir/report Undercover Mormon: A Spy in the House of the Gods which I’ve been reading this week. The best book I’ve read this year.

I was Thom Metzger’s math / philosophy teacher, back at Geneseo State College in upstate New York in 1977. Tick, tick! The two clocks are in synch.

Or maybe not. Blumlein asks: “What time am I? Is it 9:00, or quarter to midnight? Early or late? The beginning, or the end?”


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