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Timing Channel Attack on the Computational Ultrastructure of Spacetime

Sunday, October 9th, 2005

[This somewhat disturbing picture is from an ad for the Chukchansi gambling resort in today's San Jose Sunday paper. The rest of today's pix are recycled from the blog image bank. If you're really curious about a picture, right click on it to get a context menu and select Properties to get a window containing the name of the file. In some browsers, the Properties window will be too small to show the whole file name, in that case, you can click inside the filename and arrow-key to the right. Once you have the name of the *.JPG file, copy the name. It's likely to work better if you don't include the path, and you don't need the “.jpg,” you can just double click on the name itelf to select it. And then you paste the name into the blog Search box in the sidebar on my blog page. In Windows, of course, you can use Ctrl+C and Ctrl+V for copy and paste, with the Mac you use the Apple key instead of Ctrl. Once you copy the picture name into the Search box and press the Go button by the Search box, you get a page with clickable titles of all the entries where the photo in question appears — normally you want to click the last and oldest entry to discover the picture's origin. It would be nice to have PHP code to do this automatically, that is, find previous appearances of a given picture. I'm inching towards the Complete Lifebox Platform, here.]

I got intrigued by this thing Charles Stross mentions in my favorite recent SF novel Accelerando. He talks about an “…alien superpower – maybe a collective of Kardashev Type Three galaxy-spanning civilizations – running a timing channel attack on the computational ultrastructure of spacetime itself, trying to break through to whatever's underneath … [yes,] something vast – a timing channel attack on the virtual machine that's running the universe, perhaps, or an embedded simulation of an entirely different universe.”

What the f*ck is a timing channel attack? It sounds great, Charlie just says it, and we feel like it means something even before we know any details.

Searching the web, I find that a timing channel attack is a type of side channel attack, which is any attack that uses something other than purely abstract software analysis, it gets actual physical data about the encryption process, like it measures how long the machine takes to encrypt something, or listens to its sound, or watches its power consumption or RAM use. The idea is that, e.g. if I eavesdrop and see a lot of y get coded into y^x MOD n, and n is known as well, then I can guess the bits of x one by one from the timing info because the “0” bits of the exponent use less computing time than “1” bits.

So in my story, some people are doing a side channel attack to figure out the ultimate reality program. Or they use the channel attack info to go to the deeper reality. Or both. They’re called reality hackers, natch, just like the old Mondoid phrase.

Suppose some diaphanous alien spirit-creatures have to check in and out to travel back and forth between here and the other, realer, subworld — call it the subfab.

Suppose I am able to monitor the — call them silfs — going from here over to the subfab. I can time, let us say, the interval between the silf saying “Go” and the silf wavering and disappearing. The silfs are being encrypted and I can see how long the encryption time takes. Problem here is that the data in a silf is so big and gnarly, so it’s hard to write it in binary and get the timing per 0/1 bit tested. Of course with the arphidnet mind, this would in fact be feasible.

Encryption isn’t an obviously relevant notion for exploring the computational ultrastructure of spacetime, and still less does it open an obvious travel route to the world’s deeper levels. How could the side channel attack give you information about the structure of the subfab? How could it help you get there?

Suppose you slavishly encrypt your body just like a silf does and then hope that it simply happens that you’ll then trickle down into some cracky-crack of spacetime. We won’t do this so crudely, though, we won’t turn ourselves into, like, radio waves as they did in The Fly. What we’re gonna to is quantum-tunnel from a material body to an aethereal body.

Suitably encrypted data slides through the grill between worlds on its own. Like a beetle walking over a grating in such a way that it doesn’t step on any of the separators. A thin man dropping between the bars of a curbside sewer drain. Yes.

Transforming or encrypting yourself with the silfs’ process gives you an “aethereal body” which is, let us say, a congeries of subtle dark energy vortices. Catch: due to the quantum mechanical no-cloning theorem, you can have a material body or an aethereal body, but not both at the same time. So the first person who encrypts into aethereal form is taking a big chance.

A key element in the process is the quantum mechanical notion that if nobody is watching something then it smears out into a superposed state. Let’s suppose that for a silf to travel between our universe to the subfab (1) she superposes herself, turns off self-observation and spreads out into an indeterminate state, and then (2) observes herself in such a way so as to collapse into the aethereal or material form.

The observation method is the encryption method. A certain quantum-mechanical operator. It takes the form of a koan-style question. “A flag is flapping. What is moving: wind or flag?”

As well as the koan, the material/aethereal transformation routine embodies a mantra, an information pattern which is, in effect, a code number.

Quantum meditation.

Our universe and the subfab are overlaid upon each other in the same space, separated by a tiny distance in the fourth dimension. In the aethereal form, this is the subfab; in the material form, this is the universe. You perceive the one that matches your body.

Your Gigasecond Birthday, Evolution and Alife Lecture Posted

Friday, October 7th, 2005

I had insomnia the other night after some clod (I think it was the automatic telemarketing machine of “Brian's Garden Services”) rang our phone at 1 AM and then I lay awake till 3 AM, and I started calculating how many seconds old I am, inspired by Charles Stross's computer-think gimmick of discussing periods of time in gigaseconds in Accelerando.

And I realized you have your gigasecond birthday — well really its billionth birthsecond — in your 31st year of life, and that before too many more years my two-billionth birthsecond will be rolling around.

Rudy, Jr., wrote a nice little web page that helps you compute your billionth birthsecond. If you're 30 or just turned 31, check this out so you don't let your gigabirthsecond slip by uncerebrated! This is a photo of Rudy taken precisely at his billionth birth second, by the way.

I recorded another lecture in my “Philosophy and Computers” class yesterday, about evolution and artificial life (a.k.a. alife). The picture above is from the amazing alife Galapagos program by the supernal Karl Sims.

The sound came out better than before, because reader Lisa Williams tipped me off about Audacity, which is free. This ware has a nice visual display so I can edit the files. And it has a very good feature “Equalization.” I'm loading the preset “Acoustic” equalization curve and applying it, which cleans up the sound a lot. And you can get a free plug-in so that Audacity saves WAV format into MP3.

'GigaDial

I posted the link to it on Gigadial as usual.

The demos are mostly from “Boppers”, which you can get with the “Software Downloads” button on my page for The Lifebox, The Seashell, and the Soul.

Apple, Journal of Unconventional Computing, Aaronson

Wednesday, October 5th, 2005

I went to have lunch at Apple yesterday. Their address is “1 Infinite Loop,” which seems cute, but the roadways by the entrance are set up so that if you make what looks like a natural turn for the parking lots, it whisks you onto northbound De Anza Boulevard and you have to make a difficult U-turn and two left turns to get back. Infinite loop indeed.

I got to have a special Apple badge. Somehow the high-voltage grills at the doors failed to detect that I’m a Windows programmer, and I escaped vaporization.

I was there to see my former students Leo Lee (right), and Alan Borecky (left). Alan works for Electronic Arts on the Tiger Woods golf games; he was just visiting like me. Leo recently started working at Apple on a project he wouldn’t tell me anything about. He’s enjoying himself.

On another note, computer visionary Rodney Berry tipped me off about this great new magazine, the International Journal of Unconventional Computing, about the generalized kinds of computations that I write about in my book The Lifebox, The Seashell, and the Soul. What makes this journal site really great is that all the papers are readable online! You can, like, find out about using Zhabotinsky scrolls as a computer.

Meanwhile the hen-and-chicks cacti are processing data in the computational fog. Which leads to quantum computing, which leads to way-out-there theorist Scott Aaronson, who’s just started a blog with a link to a mind-breaking, incomprehensible but somehow very interesting list of ten problems for quantum computing. SF writers can strip-mine this page for buzzwords.

Rudy on KFJC, Hardly Strictly Bluegrass

Monday, October 3rd, 2005

I’m proud to say that I’ll be on the air as guest reader on Ann Arbor's Unbedtime Stories for the next six Tuesdays,from 7:20 – 7:40 in the mornings (California time) on KFJC radio 89.7 FM. If you're not in the San Francicso Bay Area, you can hear the show on KFJC online. Unbedtime Stories is a weekly feature on Ann's show, “Dancin' in the Fast Lane”.

Each of the six Tuesdays, I'll be doing a bit of interview, and reading one of short-short SF stories which I used as “Thought Experiments” to introduce the six chapters of The Lifebox, The Seashell, and the Soul.

I went in to tape the shows last week; it was interesting to be there. Like Kurt visiting the Wolfman's lair in American Graffiti. I’ve been listening to KFC for going on twenty years; I even wrote about it in The Hacker and the Ants. Here’s a quote interspersed with three pictures of the KFJC studios.

“Two blocks from the Vos' house, the map showed me something I didn't want to see: a detailed, stippled picture of an ant. A cunning dusting of dither pixels added informative shadings to the image. The scapes of this ant's antennae were tilted towards me, and her mandibles were wide open. Her body rocked back and forth in the sawing motions of stridulation. The map's tiny speaker began stringing fragments of Ann Arbot's voice into deep, demented chirps.

“The sound was scary, but also fun to listen to, in a sick kind of way. It was as good as the thrash I might hear on like 'Ted Bed's Skunk Bunk on the Rhythm Wave of the West, Radio KFJC, 89.7 on your FM dial, broadcasting from Foothill College in Los Altos Hills, California,' a personal favorite. Ted Bed always sounded like he'd been up all night flying on candyflip in a cyberclub.

“Most kids couldn't afford their own cyberdecks, but there were plenty of clubs with wall-sized Abbott-wafer screens on three out of the four walls. Users in the club wore stereo-shutter flicker glasses. Cheap and dirty video technology would capture their dancing images and put them up into the big cube of shared cyberspace above the dance floor, and the deck would mix the dancers with daemons and simmies, and active tool icons: virtual buttons, dials and sliders the dancers could use to change the synthetic musical sounds, everyone inside the same rave deck, everyone inside the controls. It would be interesting if the ants showed up in those clubs. The Attack of the Giant Ants! It's Them!”

Anne Arbor kindly gave me CDs of what we’ll be airing, and I’ll post the six episodes as podcasts on my Gigadial station after they air.

This weekend we went up to SF to check out the free Hardly Strictly Bluegrass festival. The high point for me was seeing 81-year-old Earl Scruggs and his band.

I was a big fan of Flatt and Scruggs when I was in high-school in Louisville. I didn’t know anyone else who liked bluegrass back then, other than my big brother Embry. But we felt that, as Kentuckians, we should appreciate our native sound, even be we citified Louisvillians.

It was a real San Francisco crowd there. Just like the Sixties. Heavy fog made it seem more surreal.

This energetic little drifter reminded me of The Wanderer by Hieronymus Bosch. Meanwhile Scruggs, Jr., was singing, “In the pines, in the pines, where the sun never shines.”

Might aliens resemble hand-tied balloon toys? To consider this notion is to immediately assent.


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